Epic Beard Men – This Was Supposed To Be Fun [Album Stream]
Sage Francis and B. Dolan aka Epic Beard Men are back with their new project, “This Was Supposed To Be Fun”.
Read moreSage Francis and B. Dolan aka Epic Beard Men are back with their new project, “This Was Supposed To Be Fun”.
Read moreThe Epic Beard Men, Sage Francis and B. Dolan are back at it with the release of their new single, “Hedges”.
Read more“Dumb Ass Kids” is the first video from Sage Francis and B. Dolan’s forthcoming Epic Beard Men EP, “Season 1”.
Read moreEpic Beard Men (the Sage Francis and B. Dolan super-duo) are spreading their special brand of cheer this season by declaring “War On Christmas”.
Read moreNew visuals from the Epic Beard Men! Sage Francis & B. Dolan are touring the UK this summer (EdFringe + England) During this month abroad, these beardos will be working out demos for the impending EBM project. You can download this song for free in he meantime at Soundcloud.
Read moreHere is an early stream of B. Dolan’s “Kill the Wolf” album. Pre-order your copy here, if you feeling it. July 10 is the date. B. Dolan’s latest record is the self-produced “KILL THE WOLF”, a sweeping, powerful opus five years in the making. The album reinforces Dolan’s status as a complex lyricist and introduces him as a ambitious, versatile producer, dedicated as ever to concept and vision over fleeting hip-hop trends. This sophomore studio effort on STRANGE FAMOUS RECORDS / SPEECH DEVELOPMENT features a supporting cast of talent from a wide range of musical backgrounds, including AESOP ROCK, BUCK 65, ALIAS, CECIL OTTER (Doomtree), KATHLEEN STUBELEK (Circle Takes the Square), DS3K, BUDDY PEACE, AUPHEUS, and the late DAVID LAMB (Brown Bird). It would be easy for an album to go astray amidst such varying styles, but Dolan stays in firm command as the expert conductor, driving the album’s layered and visionary sound. “KILL THE WOLF” sets out with a goal of demolishing the boundaries of what was previously thought possible in a B. Dolan record; bringing the best techniques from his catalogue into a new era of production value by fusing live guitars, analog synths, violins and upright bass with formidable vocals and intricate lyrics. Five years after shaking the foundations of underground rap with his “Fallen House, Sunken City” LP, B. Dolan emerges from the earth, battle-tested, clear-eyed, and sharper than ever. The time has come to Kill the Wolf.
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