TrackBlasters Radio: 28.09.15

Da More Fire Monday – The Correct Flava To Start Your Week Host: DJ P.R. Today, DJ Rekall takes over the TB Radio airwaves with his dope “Quentin Tarantino Movie Soundtracks” mix. Enjoy! Record Of The Day: Back on Wednesday! Playlist Quentin Tarantino on the moral choices in Pulp fiction The Ventures – Miserlou James Brown – The big payback (Tall Black Guy BIGBACK Slap-Up Re-Edit) Brothers Johnson – Strawberry Letter 23 Minnie Riperton – Inside My Love (Disco Tech Edit) Joe Tex – I Gotcha Tomoyasu Hotei – Battle Without Honor Or Humanity Smith – Baby It’s You Keith Mansfield – Funky Fanfare Dusty Springfield – Son Of A Preacher Man (Charlels Beale Edit) Bill Whiters – Who Is He The Vampire Sound Incorporation – The Lions And The Cucumber Alan Reeves, Phil Steele & Phillip Brigham – The Chase Kool & The Gang – Jungle Boogie Bernard Hermann – Twisted Nerve The Coasters – Down In Mexico Eddie Bunker / Harvey Keitel : Madonna Speech Jack Nitzsche – The Last Race George Baker – Little Green Bag Bobby Womack – Accross 110th Street (DJ S Bootleg Bonus Beat) Al Green – Let’s Stay Together (Disco Tech DJ Cut Mix) Marsellus Gets Medieval Dave Dee, Dozy Beaky Mick & Titch – Hold Tight Lively Ones – Surf Rider Eddie Beram – Riot In Thunder Valley Harry Nilsson – Coconut RZA – Ode To Django (The D Is Silent) Isaac Hayes – Truck Turner Quincy Jones – Ironside April March

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Mentplus – Stormy Nights [Beat Tape]

Brooklyn-based deejay and producer MentPlus is excited to announce the release of his debut instrumental EP, ‘Stormy Nights.’ The 6-track effort gives listeners a variety of sounds that are based on his long history as a beat-battle producer, and party starter in the Tri-state area. In the past, Ment has relied on emcees to help validate his production, but he’s looking to make music that can stand on its own. “Often times various projects I’ve created got shelved or lost in the noise because the lack of promotional efforts,” says Ment. “My mistake for years has been waiting in limbo for artists to do something with the beats I send them, but now I’m switching gears. I’m investing in myself instead of holding out for someone else,“ he concludes. From the brisk opener, “Whispering” to the J Dilla inspired slapper, “Dillacation,” ‘Nights’ celebrates Ment’s focus on becoming an instrumentalist. Inspired by the likes of The RZA, Diamond D, DJ Premier, Madlib, and Flying Lotus, the EP serves as a commencement of his revived musical direction. When he was crafting the EP, MentPlus wanted to add his own sound into the fold. “There’s a lot of producers who want to make songs without words, but I’m trying to establish myself as an instrumentalist, a producer, and a deejay. Stormy Nights is my way of conveying my own sound while giving everyone a beat they can really sink their teeth into.” MentPlus’ goal with ‘Stormy Nights’ and the rest of his work

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DJ Starscream – The Love Inside [Audio]

For the last 15+ years Sid Wilson has been a member of the Grammy award winning band Slipknot, but the last few years, his love for hip-hop and turntablism has driven him to tour the globe as DJ Starscream (you may not recognize him considering he spends the majority of his working day with a gas-mask on). Love for this culture is all we ask for. Over a few decades we’ve witnessed artists venture into multiple facets of hip-hop, and when it’s done with true passion and respectable levels of talent there’s no such thing as “going wrong.” “The Love Inside” takes us past the dinner and movie dates, into the real physical euphoria – that’s much more engaging. Lets be honest. A sonic bi-polar visual is painted, reminding us that this type of love never dies. Though writing rhymes since the age of nine, this is just the start of DJ Starscream’s new chapter as an emcee. Recently securing a position with one of hip-hop’s latest fine tuned collectives The IV League (alongside Ras Kass and company), he places emceeing equal on the meter as he does turtablism and other elements he has selflessly embraced over the years. Atari Blitzkrieg and Sid concretely canvased the production credits with careful balance – offering mild head nodding verses and an energetic, rather nostalgic hook (hence the sonic bi-polar coaster mentioned). The shift is pleasant and not shocking if you know the personality you’re tuned into. With years of predominantly high energy

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