Georgia Anne Muldrow

Past is prologue. The sins of the father are visited on sons and daughters. The madness of the world only abates when you stop the cycle—when you seek something beyond the mono-cultural and the corporeal. Georgia Anne Muldrow is a seeker and truth-teller. The words on her first rap album—produced entirely by Chris Keys—balance a beautiful delivery with brutal honesty. These are the honest confessions of a mother who refuses to turn a blind eye to immediate and ancestral misdeeds. Her rhymes are conscious, but more importantly, they speak to our deeper conscience. The prophetic soul artist offers a singular voice, yet belongs to a storied lineage. Listening to this record, you can hear the echoes of past oracles: Billie Holiday, Alice Coltrane, Erykah Badu, and Lauryn Hill. But the wisdom and narrative reflect Muldrow’s most personal revelations. From the album’s inception, we find her analyzing the patterns of her life in the constellations, rambling down dusty trails, pledging to jot down these crystalline thoughts in her mind as a north star for the misguided youth. She holds her head high, not in the vein of superiority, but as someone who “used to roam wild on a one-way street.” The evils of the world are given no quarter. She indicts corporate thugs and warmongers, the shamelessly materialistic and musicians who refuse to offer a modicum of substance. Her motivation isn’t to brow beat, but to challenge you to do better—it’s the type of record that can trigger resolutions on any