BlabberMouf – Da Whole Nine [Album Stream]

BlabberMouf’s new solo album “Da Whole Nine” is pure adrenaline: 14 tracks, 41 minutes of high-tempo boom bap, all produced by long-time collaborator Ben Jur.

It’s positioned as his latest full-length and feels like a culmination of the sound he’s been refining for years—dusty drums, chopped samples, ragga inflections and nonstop barring from front to back.

The record came together in spontaneous studio sessions in Breda: no pre-written verses, beats built on the spot, Blabber walking straight into the booth and catching whatever energy was in the room. You can hear that looseness immediately on early cuts like “Ready To Flow”, “Ah Yeah” and “Three Six Steez”—all fast-paced, hooky and raw, like live cyphers that just happened to be perfectly recorded.

Across the middle of the album, the palette broadens without losing that core feel. “Smoked Out” and “Killin It” ride classic uptempo loops, while “Spread Love” and the title track “Da Whole Nine” add more melodic swing, still anchored by Ben Jur’s punchy drums and BlabberMouf’s breathless cadence. Features are kept tight and effective: EllMatic and N’Zeng light up “Its A Hit”, and Troy Berkley injects ragga fire into “Ya Notice”, one of the standout late-album moments that leans fully into the project’s “boom bap meets sound system” edge.

All told, “Da Whole Nine” feels like a love letter to classic ’90s energy made in 2025—no trend-chasing, just fast drums, rugged hooks and sharp verses, delivered with the urgency of a packed small venue. The limited vinyl run (only 300 copies, artwork by Vincent de Boer) underlines how much this is aimed at heads who still want to own a piece of the culture physically. If you’ve been following BlabberMouf since “Da Flowin’ Dutchman” or you’re just looking for a new boom bap LP that actually moves, “Da Whole Nine” is absolutely worth a full spin.

Press play below.